Clarence Gatemouth Brown's seminal "Okie Dokie Stomp" finds Foley's fat, sweeping chord boogie meeting the rhythm section head and nearly burns the joint down. She reveals her love of vintage Texas R&B again in Lillie Mae Donley's 1962 hit "Think it Over." Guided by Flanigin's B-3, Foley summons all the pathos and desperation in the original and injects it with a gritty underbelly that heightens the emotional tumult. "Boogie Real Low" is a revised reading of Frankie Lee Sims' 1957 roadhouse jump blues "She Likes to Boogie." Foley rocks it up with blazing lead breaks, a sexy vocal, and a fingerpopping vamp. On Lavelle White's "Stop These Teardrops," Foley's voice rides the lyric into the guitar boogie as Flanigin's organ fills paint the margins. Her guitar accents, fills, and solo are melodic and committed. She shifts gears on Strehli's glorious "Say It Ain't So." Over the band's sweet, simmering, vintage R&B groove, Foley's delivers the lyrics with aching tenderness. Foley's riff in "Dallas Man" is equal parts Slim Harpo, Johnny Winter, and ZZ Top. " she's singing its truth as her own, adding snarling fills and a cracking snare shuffle. When Foley sings "Back when radio/Could turn your life around/I know what it did to me. It's a swamp blues shout-out that name-checks blues heroes. It's followed by "Two Bit Texas Town," one of two tunes by Angela Strehli. She captures the Lone Star blues styles with raw energy, passion, and stellar musicianship.įoley penned the title-track instrumental, a sweet, swinging, slow blues with stinging leads and lyric phrasing. Foley's focus is the Texas blues and the artists who embody them in a set of covers and originals. Foley and her band - bassist Jon Penner, drummer Chris Layton (of Stevie Ray Vaughan & Double Trouble fame), and Hammond B-3 organist, producer Mike Flanigin - got together with engineer Chris Bell over three days in a San Marcos, Texas studio and cut these 12 tracks live on the floor. Pinky's Blues is her second offering for Stony Plain. It does not store any personal data.Anyone who has spent time listening to Canada-born, Austin-based guitar slinger Sue Foley knows "Pinky" is her signature paisley-print pink Fender Telecaster. The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. The cookie is used to store the user consent for the cookies in the category "Performance". This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other. The cookies is used to store the user consent for the cookies in the category "Necessary". The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". The cookie is used to store the user consent for the cookies in the category "Analytics". These cookies ensure basic functionalities and security features of the website, anonymously. Necessary cookies are absolutely essential for the website to function properly. And of carp soup, tiger gods, flamingos and floods.A dazzling exploration of lives lived on the fringes of civilisation, Swamp Songs is a vital reappraisal and vibrant celebration of people and environments closely intertwined. Here are tales of shepherds, smugglers and salt-gatherers of mangroves and machismo, frogs and fishermen. We have tried to drain away their demons and tame them, destroying their fragile beauty, botany and birdlife, along with the carefully calibrated lives of those who have come to understand and thrive in them.In Swamp Songs, Tom Blass journeys through a series of such watery landscapes, from Romney Marsh to North Carolina, from Lapland to the Danube Delta and on to the Bay of Bengal, encountering those whose very existence has been shaped by wetlands, their myths and hidden histories. For centuries, they – and their inhabitants – have been the object of our distrust. Oozing with bad airs, boggarts and other spirits, the world’s marshes and swamps are often seen as sinister, permanently twilit – and only partly of this earth.
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